Eight voice analogue drum synthesizer. Each voice has an oscillator, on some channels it has a resonance capable filter or VCA. There's an individual output for each voice (Kick, Drum 1 and 2, Multi, Snare, Hi Hat 1 and 2, Clap). These can also be panned to the stereo main output (on the back).
It can be triggered with MIDI and optional 10 analogue trigger inputs.
There's a headphone output and MIDI in and thru ports.
Outputs
MASTER 2x 1/4"-TS-jack, unbalanced (L/R)
OUT/INSERT 1x 1/4"-TRS-jack, unbalanced (per instrument channel)
max. output level (tip): + 18 dBu
max. input sensitivity: + 18 dBu
PHONES 1x 1/4"-TRS-jack, stereo
Impedance: 32 Ω … 600 Ω
Control Elements
7 sound shaping controls, PAN and VOLUME per instrument channel
TRIG button per instrument channel
MASTER VOLUME
POWER switch
MIDI IN/THRU
accepts MIDI note numbers with velocity
power supply: internes PSU (100 V~ … 120 V~ / 220 V~ … 240 V~)
desktop: 483 mm x 225 mm x 125 mm (width x depth x height)
rack: 19", 5 U, 90 mm deep (from back of front panel)
weight: 3,7 kg
Options
trigger inputs (have to be ordered with the DRM1 MKIII - can only be installed by Vermona afterwards)
wooden side panels
...order Continue downsizing my eurorack form a 9U system to mostly utility modules. Get a rack for the remaining eurorack and DRM1 mkII to live, with some space for whatever else I might like in the future. Buy a patch bay Buy a Mac Studio and update all my software to run on it. Maybe a new...
...gotten myself into
Not looking for analogy type sounds. Have DRM-1 MkII for that stuff. I specifically wanted FM drums since I didn’t have any unless I poke at my various old school FM synths for hours on end, which is cool but in this...
While it can do "gentle" with some love and care and tweaking, it does love brutish destruction even more, and more easily.
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