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The SR-55 is a very rare rhythm machine made in 1972 by Keio Electronics of Japan as Korg Mini-Pops 3, marketed in the USA by UNIVOX (Shin-ei). It features 20 rhythms, volume knob, tone knob and two 6-part variation knobs for Fox Trot/Swing. Plays great vintage beats (especially Latin rhythms), great for blues, reggae and rock. SR-55 was used by Kraftwerk early on. You can create cool train effects, and the Western beat has a hilarious horsey clip-clop sound (a la Wall of Voodoo). Run it thru delay/chorus effects pedals for some killer sounds. Perfect for sampling, home studio, live performance, bellydancing, animal husbandry or retro gear collectors!
...RHYTHM CONSOLE KORG DONCAMATIC DE-11 KORG DONCA MATIC DE-20 UNIVOX DONCA MATIC DE-20 KORG ROCKMATE DONCA MATIC KORG CHECKMATE KORG MINIPOPS 2 KORG MINIPOPS 5 KORG MINOPOPS 3 UNIVOX SR-55 KORG MINI POPS JUNIOR UNIVOX JR-5 KORG MINI POPS 7 UNIVOX SR-95 KORG MINI POPS 20S KORG STAGEMAN SM-20 KORG MINI POPS 120W KORG MINI POPS 120P UNIVOX SR-120 KORG MINI POPS 35 KORG MINI POPS 45 KORG KR-33 KORG KR-55 KORG KR-55B LOWREY AUTOMATIC RHYTHM LUSONIC CR-6030 MACH RHYTHM...
Flush mounting won't change the fs. Only changing the cabinet volume and/or the reflex opening will. The start at 32 Hz is of course an arbitrary one; some manufacturers use a -3 dB, others a -10 dB limit to define this, but either way it doesn't mean there is suddenly no output anymore under 32...
Utter nonsense from your “expert”. Those ATC’s go way lower than 32Hz. The reason to invest in such larger monitors IS because you want to have a monitoring system that can produce down to 30Hz or even lower.
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