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The world-renowned Summit Audio TLA-100A tube leveling amplifier has been regarded as a staple by studio and live engineers around the world for more than a quarter of a century.
Simple to operate
The main thing that has made the TLA-100A an industry standard since it's introduction in the mid-80s is that it's one of the easiest compressors to use, allowing the focus to remain on the performance...not on the gear.
Best of both worlds
One of the main qualities that makes the TLA-100A so desirable is that it has the smooth program dependent sound of an optical compressor, but is capable of the much faster attack times required for taming fast transients found in source material such as vocals, bass, and drums.
...the closest to analogue we have ever seen in the box. I'm currently in love with his LA3A and Summit TLA100. Cupwise - Compressors & verbs. - He leads the way with his newest Plate Of Legend, it's amazing and adjustable. AITB - Verbs - They were one of the EQ companies but have been dethroned. HO...
...short, I didn't spend any more money. The end. LA-2As: At another studio, I used to use and love the Softube Summit TLA-100 comp especially on ac gtrs. I like that it has some timing adjustment and a few modern features. I'll grab it if Softube ever lowers the price so I was thrilled when...
...use (and he track the big bulk of artist on the chart) it's c800g/251, 1081 and cl1b). I track vocal using tla100, 1176, cl1b, distressor and on my list to try is stc8 and altec 436 like (phoenix comp and locomotive 14b). But no matter what comp I use the end result is the same. So...
Sound QualityEase of UseFeaturesBang for Buck
