The heart of Frames is a 4-channel VCA and mixer under tight digital control.
Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):
4-channel attenuator/VCA.
4-channel mixer.
4-channel programmable CV source.
Quadraphonic signal dispatcher.
But what makes Frames truly unique is the way in which channel gains/CV levels can be controlled, using a technique inspired by computer animation.
Frames allows up to 20 configurations of the 4 gain knobs to be stored and recalled throughout the course of its big Frame knob.
By rotating this knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.
With a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning…
An analog mixer under digital control
...my Braids and Gieskes will arrive some time next week too. Hopefully, I'll be able to fund the Mutable Instruments Frames after the next pay-check. Hooked up to the A4, it should be a good start, I reckon! Hoping to add the Make Noise Phonogene to that soon (I first decided against one, since...
...in the middle will probably be a vertical trunk bus with global Trigger, Gate and KBD CV selection. Maybe a Mutable Frames for LED wheel in the middle :0) The whole thing sits on a baseplate to tie stuff together without wobbling.
...Odyssey. - 8 step analogs like 1027 or 960; I use 1027's for gross voicing and arrangements by driving MI Frames Quad VCA sequencer's. also 960's are useful to expand and extend simple sequencers like DFAM to produce longer apparent sequences. 960 and 1027 are pretty interchangeable for these use cases. sequencers are...
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