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Oberheim OB-X

GForce Oberheim OB-X
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Description

OBERHEIM OB-X – BEAUTIFULLY CLASSIC YET RESOLUTELY MODERN

GForce’s Oberheim OB-X is the world’s first officially endorsed emulation of this famous 80s synth. Yet it sounds modern and lends itself superbly to Electronica, EDM, Drum and Bass, Ambient, Rock, Prog Rock, Hip Hop and more. The original synth was used by immense artists and groups such as Japan, Ultravox, BBC Radiophonic Workshop, Chick Corea, Herbie Hancock, Depeche Mode, Queen, Larry Dunn, Youth, Chris Franke, Styx and many more. GForce’s OB-X preserves the sound everybody loves and has been upgraded to offer new sonic possibilities.

AN AUTHENTIC OB-X WITH VAST SOUND DESIGN POSSIBILITIES

Oberheim OB-X provides an authentic experience but has been enhanced with powerful features designed for the modern setup. GForce’s OB-X features up to 16 voice polyphony, a vintage control for adding subtle analogue imperfections, four programmable Macros, new intro, retrigger, phase and smoothing features for the LFO, new level destination for the LFO, separate PWM1 and 2, discrete levels, discreet tracking, an arpeggiator, a chord mode with scaler, Chorus, Stereo Delay and Reverb effects, and more. Finally, the GForce’s OB-X has been augmented with X-Modifiers, dedicated LFOs and ADSRs for almost all parameters that take OB-X to the next level of sound design.

CREATE HUGELY COMPLEX, YET MUSICAL, SOUNDS WITH X-MODIFIER TECHNOLOGY

Using our unique X-Modifier technology, the scope of sound modulation possibilities is immense. The intuitive X-LFO and X-ADSR section enables you to work faster without having to set up modulation paths; they’re already set up for you. X-Mods provide you with the ability to create extensive modulations of almost every parameter, allowing you to create hugely complex, yet musical, sounds. So, while the tone and character at the heart of the synth remain authentic to the original, the additional features turn it into a true sonic canvas.

INSPIRATION AT THE SPEED OF SOUND
OB-X, with its fully resizable UI, a powerful new Preset Browser, and over 400 brand new production-ready presets from top-level sound designers, is fully ready for modern production.

Oberheim OB-X features our new, highly flexible preset browser, giving you the power to organise your sounds in a way that suits your workflow. With extensive tagging, sorting and search possibilities, it’s quick and easy to find the presets you want. We’ve included more than 400+ brand new production-ready presets. We’ve enlisted an array of diverse sound designers and artists including Light Bath, GEOsynth, Christian Lafitte, Richard Veenstra and Ramon Kerstens (K/V), Tontario, Stuart Thomas, Zardonic, Drew Schlesinger, Drew Neumann, Noyzlab, Dave Spiers, Tom Wolfe, Graeme Rawson and more. The patches range from resolutely modern to passionately classic with a lot of recreation you might have

KEY FEATURES

  • An authentic sounding emulation of the Oberheim® OB-X
  • Fully-scalable UI
  • Powerful Preset Browser
  • Over 400 presets
  • Vintage knob for authentic analog imperfections
  • Augmented with vast modulation options via X-Modifiers
  • Chord mode with scales
  • Arpeggiator
  • Chorus, Delay and Reverb effects
  • Four programmable Macros for easy manipulation of sounds
  • Monophonic, polyphonic, legato and unison trigger modes
  • Per-voice-pan for wide stereo sounds
  • Programmable Aftertouch and expanded Velocity controls for extra playability

Discussions

GForce Software: Oberheim OB-X

Are you asking about the difference between the GForce OB-X plugin vs the Synapse Audio OB-Xa "Obsession," vs. Arturia OB-Xa V software emulation? Or do you want to know the differences between the classic 80s Oberheim OB-X and OB-Xa analog polys? If the latter, then most superficially, the OB-Xa features those garish lines across the front...

GForce releases OBERHEIM OB-X

Poly unison? Never occurred to me it was missing. It wasn't on the original OB-X. G-force OB-X is so fat sounding anyway, I can't see a need for poly unison. Saturation on the output? I just go with that's the way it sounds. Whatever. It strikes me as funny that people always think of a dozen...

NAMM 2025: Melbourne Instruments releases Roto-Control Motorized MIDI Controller

Okay, just finished a template for the G-Force OB-X. The 32 Controller limit comes into play here.

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