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ASP4816 Special Edition
Small Format Analogue Recording Console
Big sound, small footprint.
The ASP4816-SE is an in-line, full analogue recording and mixing console providing everything you’d expect from a large format recording console but in a space-friendly footprint. Designed from the ground up by David Dearden and featuring his legendary analog circuitry, the ASP4816-SE is the perfect centrepiece for production studios.
Features
• 16 x Audient Mic Preamps
• 40 Faders
• 48 Inputs at mix
• 16 x Record Buses
• 8 x Subgroups
• 42 x Inputs
• 6 x Auxes, 2 x Cue Sends
• In-line Architecture – twin inputs on each channel
• 4 x Stereo Monitor Outputs
• Advanced Monitor Control
• 4 Band Splittable EQ
• Stereo VCA Mix Bus Compressor
• Footswitch for Talkback Control
...more tricks up its sleeve, inspired by its larger counterpart: Audient’s flagship console, ASP8024-HE. The new ASP4816-SE and the ASP4816-HE are priced as follows: ASP4816-SE: US MAP $16999; UK £12000 and ASP4816-HE: US MAP $19999; UK £14999 For more information please visit: https://audient.com/
...Six. I use either my main workstation with an Audient iD44Mk II (for up to four inputs) or my Audient 4816SE analog console for larger projects with up to 16 inputs (which I have never used for that many at one time). However, to answer your question, for the Big Six, realistically...
are you using the big sixes as an agregate device and thus using their A/D D/A conversions or are you using them as strictly analog mixers with other conversion gear.... if so what? thanks!
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